Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, March 1, 2015

Winter hiatus

It's doubtful many people will browse back to my blog just to see this, but just in case you do, I'm still alive but on hiatus. I'm in the middle of designing a website for All Write Now! a local conference, working on edits for my anthology about colonizing Mars--Building Red--and still trying to keep my job. It's not impossible, but a little overwhelming and my blog, and a few other things, are on the low priority list.

Never fear, though. I have a list of topics that I'm anxious to talk about as soon as I put a few other babies to bed. Time is precious and I want to make sure I do WELL at the projects I'm working on.

Keep writing. Keep revising. It may be cold, but spring is coming.

Sunday, January 11, 2015

#1 Secret of Writing Is...

I went to a conference in 2014 and listened to a famous editor and author list his "secrets" of writing. The beginning of his list was pretty unremarkable. They were things I'd heard before: Write daily. Learn about the craft. Learn about your topic. Learn what your audience wants. Never give up. Read good books.

You know. All the basics.

Then he said something that stuck with me. He said the number one key to becoming a successful writer was...

Wait for it...

Stop watching TV.

I laughed internally. During previous years when I'd researched and written my master's thesis, I quit watching TV because I literally didn't have time to work, take two classes every semester, and read and write 50 pages a night. After that, I was out of the habit. So ha ha, big famous author! I didn't need your advice.

Or did I?

After I went home from that conference I revamped my blog according to his directions and began to get more traffic. So...he was right about that. I read his books on editing and started getting better acceptance rates on my pieces. He was right about that, too. But I wasn't watching TV! Why wasn't I finding time to write and read and do all the things HE was doing?

Oh. Did I mention I have a tablet with apps on it? Fun apps? That are distracting and mind-numbing?

I rationalized the apps as a way to calm down after a long day at work. As an introvert pretending to be an extrovert, having a mind-numbing game at home to look forward to is bliss. Just me and the tablet and some virtual cookies to match, some zombies to explode, some orange pegs to hit, etc. No people to talk to, no pressure, just me and my tablet and silence. Ahh!

Yet....

One game lead to another and another and soon a five minute break turned into an hour or two. That's enough for several pages of writing and editing. Great work, Cannon. Blew your night's work on a digital sugar/zombie/peg blasting high.

So, I've decided this year things are going to be different. I deleted...YES...deleted my game apps with all the money, all the progress, all the special levels I'd opened and instead am starting a new habit. If I need a break, I'm going to read. Or write. Or edit. Or do something creative. Why?

BECAUSE THAT'S WHAT WRITERS DO, CANNON.

It hurt. It really did. I felt depressed and angry and deprived. Why did I throw all that effort into the trash? Couldn't I control myself and only play just a little a day? No. I knew with my obsessive tendencies that little doses of something I crave never works, so I took a deep breath and closed the tablet.

And do you know what I've found? Wow! I now have time to make that home made moisturizer I've been wanting to try. And cook a home made meal since who knows when? I've already written two stories and kept up better with the dishes and laundry than I have in years. What can I accomplish now that I have all this time on my hands?

And instead of anger or depression or deprivation I. Feel. Free!

Revising habits is painful. Realizing you're in the wrong is even worse. But admitting you have a problem and fixing it can be freeing. Hopefully, this will mean a new chapter...literally...in my life. And maybe for some of you, too.

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Announcements:

Next week: An open letter/rant to Brent Weeks about his Lightbringer Series.
"Week's Lightbringer Series: A Dark Review"

The Anthology Building Red: The Colonization of Mars
is due to be published summer of 2015 by Walrus Publishing.
Watch for updates and announcements.

If you haven't yet, check out Paradigm Rift a new book by Randy McWilson.
Conspiracy, alternative history, time travel, sci/fi, and thriller never had it so good!

Looking for some steampunk? Check out Brad Cook's Iron Horseman
(I'll be writing a review of it, soon.)

Sunday, November 23, 2014

Averting Rejection: An Editor's Perspective

As a writer, I've taken my share of rejections and will continue to be rejected. It's part of the process and I understand that. Sometimes someone else has a better piece similar to yours. Sometimes the judge likes another piece better or the judge just wasn't in the mood for my avaunt guard psychoanalytical thesis on the plight of the red gilled eel. Life happens. Get over it. Write more. Submit more.

However, as an editor, I'm now on the receiving end of entries submitted to my anthology Building Red: The Colonization of Mars, and I am the big "meaner" (as one of my former students put it) who has to send out those horrible emails, "Sorry, your piece doesn't fit the 'vision' of our anthology." The experience has been educational and humbling at the same time.

I've learned so far that I cheer for the great stories and groan for the ones who don't make it. Seriously, I'm a softie like that. I've learned that when faced with a sudden influx of 20 stories in one day that I'm not quite sure I can face my inbox, but a cup of hot cocoa and some soft electrotrance helps. I've learned also what I've known for a long time: people don't read directions.

That. Drives. Me. Insane.

Therefore, as an educator, it strikes me as my responsibility to share with anyone who cares to read such things, WHY so many submissions are rejected. Maybe it will help one of you get accepted next time.

1. READ THE WRITING PROMPT. If it's an open submission, you don't have this issue, but my anthology, you had to write about colonizing Mars. The writing prompt is specific in what I want and how I want it formatted. I received MANY well-written stories--publishable stories--that either had NOTHING TO DO with Mars or could have been on ANY alien planet. If the editor/publisher wants something specific, don't send them just any story. Send them what they want. And if they want prose, don't send poetry and vice versa.

2. USE STANDARD FORMATTING. Generally this is Times New Roman, 1" margins, double space, tab or 1/2" indents for paragraphs, but editors/publishers may have specific formatting they prefer for their reading ease. Yes, yes, I can, in a matter of 60 seconds or less, re-format a piece so it is readable, but then I'm already unhappy that the writer didn't follow directions. That predisposes me to not like your story. Most of us have full-time jobs and are doing this after a long day of work. We don't need one more annoyance. Hint, hint.

3. IF WE ASK FOR AN UNPUBLISHED STORY, DON'T SEND A PUBLISHED STORY. You see, this isn't just being persnickety, here, this is a matter of legal responsibility. If I ask for First North American Publishing Rights and you've published anywhere, including on a blog, it's possible there could be some legal ramifications, then lawyers get involved, and...nobody wants to deal with that. So, please, be honest, because in the end, everyone gets hurt if we have to go to court.

4. HAVE SOMEONE PROOFREAD YOUR STORY. Seriously. Don't throw down then send your first draft. Yes, I'm going to be working with my writers to polish their work, but I'm NOT going to mess with a piece that is clearly a first draft. I don't have time. I have a full-time job that pays the bills and this gig is supposed to be FOR FUN. In a few stories submitted I saw potential, asked for a rewrite BEFORE I accepted them, and when they sent in the rewrite, I saw that they could either 1. revise well or 2. still had a long way to go. The ones in the #1 category were chosen, in the #2 did not. It's a matter of how much time I have to help coach and a matter of how much time you're willing to do the work. Period.

5. BE SENSITIVE OF LANGUAGE/SEX/VIOLENCE PREFERENCES. Now on this one, I made the mistake of being too vague. All I said was "no erotica"  but I didn't define what I meant. Several stories described sex acts that to me crossed the erotica line. Another used the "N" word and lots of "MFs". (Thankfully, that one was NOT about Mars and I could reject it because it wasn't written to the prompt.) But, as I said, I didn't specify what I didn't want.

Here are two suggestions to keep in mind: 1. Consider that most anthologies written for adults are generally PG-13 to R rated, not beyond, and 2. Don't make the sex/violence/language THE story or THE focus. It's the setting. The window dressing. The color. When it becomes a distraction to the reader rather than helping tell your story, it's too much. And yes, I know, this is a subjective matter, so go back to point #4 and get some second and third opinions if you're not sure.

6. YOUR STORY ISN'T WELL-WRITTEN. There. I said it. I'm the big "meaner" and you can yell at me all you want, but many of the stories sent to me simply were poorly executed, head-jumping, shallow-character, grammar-error-filled nightmares. But in my defense, I've sent out a few stinkers in my time, so, I'm guilty of this as well. Writing is an art that takes years of practice and FAILURE to master. Yes. Failure. Bloody noses are the best teachers. Do NOT let rejection convince you that you're doomed to be a newspaper delivery person the rest of your life. Keep. Writing. Get in a critique group. Get in a writers' guild. Go to conferences. Practice. Get rejected more. I know this sounds like I'm advocating masochism, but you don't learn if you don't try.

I'm down to the last few entries to choose from and it's heartbreaking. I hate telling people "no" but again, it's a matter of what fits the prompt, how much time I have to work with the writer to polish the work, and the quality of the story. I can't wait to see how this collection turns out!

Revision. It's not just for writers. Editors have to change how they view the world, too.

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Announcements:

Building Red is due to be published summer of 2015 by Walrus Publishing.
Watch for updates and announcements.

If you haven't yet, check out Paradigm Rift a new book by Randy McWilson.
Conspiracy, alternative history, time travel, sci/fi, and thriller never had it so good!

Looking for some steampunk? Check out Brad Cook's Iron Horseman
(I'll be writing a review of it, soon.)

Sunday, November 16, 2014

Paradigm Rift: A Review



Debut authors are often one-hit wonders or flops no matter how good the story, no matter how good the marketing or platform.

I certainly hope that won't be the case for Paradigm Rift.

Yeah, I'm a little biased because I know the guy who wrote it, one Randy McWilson. Yeah, I'm a little biased because I helped him edit the book. But seriously, this is a GOOD book. You should read it.

And if you're a fan of conspiracy theories, government cover-ups, and time travel, well, we have you covered there. You should read it.

As for genre, it's science fiction/mystery/ suspense/alternative history...ah...well, a little of everything. But in good proportions. You should read it.

However, the best parts of Paradigm Rift are the depth of character development and the plot twists. As a videographer, and screen writer, Randy knows how important it is to have unique voices and plots that make your brain say, "What?" and scream, "NO!" and want to beat the snot out of someone but you're too busy flipping to the next page to find out what happens.

His meticulous research into historical events, into the real city of Normal, Illinois, into the sights and sounds that his characters experience, and the etymology of words and items make the historical passages and vocabulary in the book authentic.

Paradigm Rift is the first of four books planned in the series that parallels Randy's screenplays that are now being represented in Hollywood. Yes, ladies and gentlemen. You might be seeing this on TV in the next couple of years.

So what's my advice? Buy it now so you can say, "Hey, I knew about this before all y'all did!" Just click on any of the titles to go to Amazon and choose your format today.

Here's an awesome trailer he made for the books and the movie. Enjoy!

https://www.youtube.com/watch?v=wvqUqJhnLuE

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Upcoming announcements:

I'm in the final stages of choosing pieces for the Mars colonization anthology, 
Building Red, for Walrus Publishing.

Stay tuned for updates on the list of contributors, cover art, 
publication dates, and much more!

Sunday, September 28, 2014

The Metaphor of the Ring in Fantasy

One Ring to rule them all, One ring to find them; One ring to bring them all and in the darkness bind them.

Any fantasy geek that's read his or her share of lore knows where this quote originates. And he or she knows there's more to the story: there's not just One Ring. There are 20 total:

Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.

And if you've read J.R.R. Tolkien's Lord of the Rings trilogy, not just watched Peter Jackson's masterful interpretation of the series, you know these rings pack a powerful punch. They also hint of powers we don't see in the books or on the screen.

My question is, though, why a ring? Why not a necklace? Or a brooch or a button or a earring? (Those do exist, but...) What is so mythical about a ring? You know Tolkien isn't the first to use this piece of jewelry as a foil for a metaphor for power don't you? Here are a few examples:

Classical Antiquity:
The Ring of Gyges was found by a shepherd and could supposedly turn the wearer invisible. He used it to overthrow the king and become ruler himself.

Demonology:
The Seal/Ring of Solomon or Ring of Aandaleeb was purportedly given to King Solomon by the Archangel Gabriel to control demons who were interfering with the construction of God's temple.

Norse Mythology:
The Kingmoor Ring detailed with Viking runes was supposed to ward off sickness.

The plot of William Makepeace Thackeray's novel The Rose and the Ring revolves around a ring that made the wearer beautiful to those who saw him or her.

Piers Anthony presents a ring of wishes in Castle Roogna (a popular theme reflected in modern role-playing games, but GMs tend to be picky on the wording and don't give out pure wishes anymore. The Wish of Bureaucracy may be the worst.)

Forgotten Realms and other d20 role playing games include a variety of magic rings.

Green Lantern's ring that harnesses willpower and the various other colored rings in his universe.

C.S. Lewis' book The Magician's Nephew has rings that allow transportation between universes.

So...why do writers choose rings?

Here are a few of my theories:

  1. It's easy for both friend and foe to see, therefore you can show your power without flaunting it. Or flaunt it if you wish.
  2. It's easy to hide with a glove unless your bling is large and gaudy.
  3. It's easy to access if it needs to be activated (twisted, touched, pressed, etc.)
  4. You can access it without anyone knowing (behind your back, as your arms are crossed, etc.).
  5. As most powerful objects are cursed, it's an easy location to either (a.) get stuck and not come off or (b.) accidentally come off at the wrong moment.
  6. Point and shoot if it's that kind of power.
  7. Rings signify eternity (an unending band of material) and if made of gold or platinum, nontarnishable material. That in itself is powerful.
  8. Depending on the finger where you place it, supposedly you access different power centers in the body (I won't discuss that here. Too much conflicting info out there. Cool stuff, though.)
  9. If you're a bad guy and the plot requires the good guy to get the ring, it's generally a matter of "hack off the finger/hand" and run. Gross, but highly effective as a plot device. Trying to hack off an ear for an earring or grabbing someone's chest for a necklace can get a little slapstick. Works if you're writing comedy, though.
  10. They're in general small. Easy to transport, hide, and steal. Another cool plot device.
But what does this metaphor mean?

Besides being a fashion statement, rings symbolize our tie to something. It may be a person, a memory, a place or whatever else. That tie, though, is powerful. Every time we see that ring, touch it, spin it, hold it in our hands, we think about that person, memory, place, or whatever. It's an eternal band of emotion wrapped around our hearts and minds that we can't shake off even if the physical ring itself is lost or if the ring is no longer worn.

Rings are powerful pieces of modern magic that when used by the right people in the right way can forge amazing bonds. I hate it when I see people blithely throwing rings at each other only to split up a few months later because they now "love" someone else. A ring is supposed to mean a commitment, not just a gushy feeling of, "Ooh, this person is HOT!" 

What does love really mean?

Where am I going with this? 

Next week is October, my birthaversary month. (You read that right. Husband and I married on my birthday.) I have a very special post for my very special person and I can't wait to share it with all of you, too.

Revision isn't just for writing. It's for life, too. And boy, have things changed in 17 years!

What does the ring metaphor mean to you (either in literature or in life)?


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Next main course on Revision is a Dish Best Served Cold: 
True Love = True Revision

Also look for my articles on Walrus Publishing’s website. 

Like Ghost Stories? I’m published in Rocking Horse Publishing’s

Sunday, September 21, 2014

Writer vs. Author: What's in a Name?

I'm in marathon training. For those of you who don't know, a marathon is 26.2 miles. Always. So when someone says they're going to run a marathon, if they're serious, they don't mean some random amount of miles. They mean 26.2 miles.

Now, for those of you unfamiliar with the distance, 26.2 miles is a long way to run. If you're a professional runner, the world record for men is around 2:03, and for women is 2:15. That's two hours and three minutes (fifteen minutes) of body-breaking, sweat-pouring, lung-collapsing running. No rest, no walking, just one foot in front of the other at a screaming fast pace.

That's an average of 4:41 (5:08) minutes per mile. Seriously folks, running around five minute miles for two hours without stopping is god-like. I cannot imagine that feeling, although I do not envy the pain they feel the next day.

The average marathon times for "real" people are about double that: 4:26 for men and 4:52 for women. http://www.marathonguide.com/ features/Articles/2011RecapOverview.cfm. This puts your pace into the more human range of 10:08/11:08 minutes per mile, but still, that's a long time and a long distance to run at that pace.

I have a few friends who have clocked marathon times in the three hour range. Awe. Some. They train crazy hard, watch everything they eat, and have very little body fat. They've even qualified to run Boston--which is super hard to do: http://www.baa.org/races/boston-marathon/participant-information/qualifying/qualifying-standards.aspx--and have run in that marathon at least once.

Me? I'm faster than the average bear but not faster than the average human runner. I'll be lucky to hit 5:30, but each individual has his or her own obstacles to jump when it comes to facing a marathon. With bad knees, bad ankles, and exercise-induced asthma, if I can hit 5:30 or less, I'll feel accomplished. Honestly, I'm aiming for less, but a lot depends on race-day conditions, body conditions, and luck.

Why do I mention this in a writing/revising/metaphor blog titled "Writer vs. Author: What's in a Name?"?

Because the difference between a jogger and a runner is the same difference between a writer and an author. There are some stigmas--unnecessary ones, but life's rarely fair--to certain terms, but it's important to say what you mean with the right words.

For example, a jogger and a runner may have the same skills, the same abilities, but not the same goals. In GENERAL, a jogger is someone who runs for recreation. They usually don't sign up for races, they usually don't care to try to improve their time or distance after a certain point. They're out there mainly to improve or maintain their health, lose weight, be social, etc. There's nothing wrong with that. In fact, there's a lot of good in that.

It's less stressful for one thing. Why put yourself in a race you know you can't win? Why punish your body with speed work and hill work and risk falling or injury? Why run long distances and risk being hurt out in the middle of nowhere with no one to help? Jogging for your health or jogging socially is a great way to improve your life.

But for those of us who are runners, we want MORE. We want the challenge of running in races we might or might not win. Losing fuels our desire to try harder, train harder for next time. We want to push ourselves to the limit of our heart rate with speed work, to shred our quads and hams with hill work, and at the end of the workout sigh with a smile of satisfaction that the next day we're going to hurt...but we'll be faster for it. We want to extend that distance further: 10k. Half-marathon. Marathon. 50k. Ultra. How far can we go? What are our limits? The possibilities of seeing what we can do excite the runner into pushing harder and running faster.

The same is true for the writer and the author.

The writer and the author may both be equal in writing talent. They may both have great ideas and great stories.

The difference is their goals and the pursuit of those goals.

A writer writes and...that's about it. A writer may share his or her work with a few people, may enter a few contests here or there, submit a few manuscripts here or there, but for whatever reason never publishes a lot and never makes that a goal. This may be a choice (fear of rejection, lack of opportunity, etc.) or maybe they cannot get published (wrong market, wrong presentation, myriad of other reasons). Sometimes writers choose self-publishing but then are hesitant or unsure how to market themselves because of their previous experiences (rejection, lack of knowledge, etc).

Again, there's nothing wrong with being a writer. You don't have to publish to be great. Sharing your stories with friends and family is wonderful if that's what you want to do. I have family members who have no desire to publish their stories publicly but want to format their works into a finished form for us and their friends only. If that's the goal, then great!

It's less stressful being a writer. The more I see about the truths about how difficult it is to succeed in publishing, the more I'm happy to have a day job! http://www.danieldecker.net/10-awful-truths-about-book-publishing/ If you're a writer, you don't have to worry about platform, about marketing, about whether to use this service or that, about query letters or agents, etc. You write for the joy of writing, and isn't that why we write? Because it brings us joy? Because it brings others joy? Because we get to share our stories? So why not just stay a writer?

But some of us want MORE. Some writers want to become published authors. Some want the challenge. Some want it because they want the money. Some want the prestige. Some want the name of a big-house publisher on the jacket of their book. Some of us are willing to throw ourselves out there, take rejection after rejection, work daily on our platform, work daily on our marketing plan, work daily to build a readerships, and work every conference and convention to gather a network of agents and editors and writers who know our name and face.

Sound like work? It is. Sound like writing? It isn't. And it isn't fair that those of us who are or want to be authors have to work so hard at all this extra stuff just to BE authors and not get to do the one thing we WANT to do all the time: write. But that's life. It isn't fair.

But where is it written that life is fair? Pull up your big girl panties or your man pants and get over it.

So what are your goals? Do you want to be a writer or an author? Neither one is better than the other. Yes, there are stigmas associated to not being published, but so what? We're artists. Artists by definition are undefinable. Create your own definition. Don't let others pressure you into their idea of what you want. You decide and take your creativity where you want it to go.

Revise your definition: jogger, runner, writer, author. Have I changed it or do you disagree? I'd love to hear from you!

And yes, by the way, the 5k first place medal is mine. As a runner, I put my all into every race, even the ones I'm certain I won't win. Sometimes, when the conditions are right, I win some bling. You never know when persistence pays off, even when you're as slow as a turtle! (Yes, there were other women in my age group!)


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Next main course on Revision is a Dish Best Served Cold: 
The Metaphor of the Ring in Fantasy

Also look for my articles on Walrus Publishing’s website. 

Like Ghost Stories? I’m published in Rocking Horse Publishing’s


Saturday, September 6, 2014

Sci/Fi vs. Fantasy: YES, there IS a Difference!

(Author's Note: This was supposed to go out LAST week, but due to two newsletter deadlines, an emergency lesson plan scramble, technology fails at work I had to duct tape together, and a husband attacked by yellow jackets [yes, I'm serious about that last one] I had my hands a little full. Life interferes. So on with the show.)

I've had people say to me, "Hey, you write that science fiction fantasy stuff, right?" And you know what that means: they think "science fiction" and "fantasy" are the same thing.

I gently answer, "I write BOTH science fiction AND fantasy, yes." And then I smile and continue the conversation. If they continue. Usually they change the subject because either genre is either uninteresting or they don't understand why anyone would read it.

Yeah. Most of you know exactly the feeling.

This misunderstanding of differences bothers me. (The part about not accepting the genre as legit bothers me, too, but that's for another blog.) In chemistry, if you put sodium chloride in water, big deal. If you put potassium in water, it explodes. BIG DEAL! In a restaurant, if you order steak and get chicken, you're likely going to ask for a new plate or your money back. When you want a perm and the hairdresser gives you a buzz cut, well, you've got some growing to do (and perhaps a wig to buy!).

If other differences are so easy to see, why is it that science fiction and fantasy are so difficult?

1. They're both fiction. Most people when lumping unknowns into categories only get past one or two categories. It's too complicated after that.
2. Science fantasy, magical realism, science faction, transrealism, tech noir, weird west, new wave science fiction and crossover genres make the clear definition between the two gray at times. When you have a world with scientific elements that are based on magic or magic that is based on scientific principles, the line blurs.
3. People who don't read either genre don't pay attention. Period. ("Those freaks who read that crazy fantasy science fiction stuff...they're just weird in the head and that genre stuff serves no point!) Yeah. Hmmm... And where did you get that cell phone, that 3D printer, that iPad, your Google Glasses, etc. etc.?

However, if you look at SciFi (Skiffy?! Look that one up! HEHE!) and fantasy in their PUREST forms, you'll find this:

*1. SciFi - "...the label sf is explicitly or implicitly extrapolated from scientific or historical premises. In other words, whether or not an sf story is plausible it can at least be argued." (p. 844)
*2. Fantasy - "A fantasy text is a self-coherent narrative. When set in this world, it tells a story which is impossible in the world as we perceive it...when set in an otherworld, that otherworld will be impossible, though stories set there may be possible in its terms." (p. 338)

*Clute, John and John Grant. The Encyclopedia of Fantasy. St. Martin's Griffin. New York.1997.

Really, it's this simple: Science fiction is the possible based on current scientific knowledge and extrapolation of what we could do in the future. Fantasy is the impossible based on creative imagination, but those impossibilities have to abide by the rules of that world. Where the crossover genres meet, the "abide by the rules of the world" tenant kicks in.

Except...this redefines A LOT of what we thought of as science fiction. Star Wars? Hmmm. Really SciFi? Or science fantasy? Star Trek? (Space opera, definitely, specially TOS!) Stargate? Firefly? Ender's Game? War of the Worlds?

Tell me, does this revise how you see science fiction and fantasy? I'd love to hear your thoughts!


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Next main course on Revision is a Dish Best Served Cold: 
Writer vs. Author: What's in a Name?

Also look for my articles on Walrus Publishing’s website. 

Like Ghost Stories? I’m published in Rocking Horse Publishing’s



Sunday, August 24, 2014

Playing the Hate Card

It seems to me you can't turn on the TV, open the paper, or click on your favorite news web page without seeing hate everywhere. I'm not going to mention particular countries, counties, or cities, but you all know where I mean. I live near one such place and it's disturbing. As a writer who tries to understand all sides of the issue, I can see the point the different sides are trying to make. I don't agree with the tactics of how any of them are handling the situation, but that's another issue.

What bothers me the most is the conclusion I've come to: every child everywhere is taught to hate someone. Yes! Even the most open-minded, kindhearted parents and teachers and mentors teach hate every day.

I said it.

I mean it.

Watch me prove it.

We start out our journey as little children learning opposites. Up and down. Left and right. Yes and no. It is part of the learning process of the brain to start dividing things into categories so we can understand what fits and what doesn't. That's how the brain works.

The next step is more subtle. We learn that one of those two things is BETTER than the other. Up is almost always better than down. Right historically has always had a better connotation than left. Yes is soooo much better than no.

When master these two concepts--categorization and elevation--and start combining them, then we start applying that code of learning to EVERY ASPECT of our lives. That's part of the learning process as well: applying past learning methods to new situations.

When we encounter new people--different people--we start categorizing them. Notice the word "them." I've already done it. I've already put someone in a category. I've already placed a barrier between me and my potential opponent. How awful! That someone, that PERSON, could have been the best friend I've ever had, yet because of the way my brain works in categorizing "same and different," "us and them," I've made someone a "them." I've just played the hate card out of my life deck.

Whoa there, Cannon! You didn't say you hated them. You just said you put them in a different group than your own.

Yes, but that's how it starts. When we see people as groups, as stereotypes, as masses, we forget that each individual is...well...an individual. When we forget that, we start down the path of hate.

We all have a life deck of cards in our virtual hands. We have plenty of cards we can play in the game as we meet, greet, love, and learn. Why do so many people choose to play the hate card again and again?

  1. It's an easy play. You always "win" if you hate first, because you feel you have the power over the other person. Little do you realize you're wasting your cards because hate only breeds hate back.
  2. Hate garners attention. How many celebrities have flocked to certain places this past week to get their share of the attention? They don't care about the cause. They want the eyes. The accolades.
  3. Loving others is hard work. Helping others takes time, money and resources. Getting to know a person as a person is much more difficult than simply hating them and everything they represent.
Notice, my friends, I haven't mentioned any sides, any colors, any affiliations, any religions, or any political parties in this post. Every single person in this world--including me--is guilty of playing the hate card. It's horrible and I wish as a HUMAN RACE we could grow up and realize that up and down, left and right, yes and no does not apply to placing people into categories where we judge the character of their person by the groups they affiliate with or the color of their skin or the departments they work for or the political party they choose to vote for or which religion they choose.

What does this have to do with writing? EVERYTHING.

As a writer I want to change the world. I want my books to show people that stereotypes CAN be broken. That the norm ISN'T the norm and that's a good thing. I want happy endings and hope and even in the darkest hour, I want someone to believe they are not alone. 

People are people. Get to know them. They might surprise you.

It's time to become an adult, world. Revise your thinking.

Any other reasons you can think of that people play the hate card? I'd love to hear from you.


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Next main course on Revision is a Dish Best Served Cold: 
Sci/Fi vs. Fantasy: YES, there IS as Difference!

Also look for my articles on Walrus Publishing’s website. 

Like Ghost Stories? I’m published in Rocking Horse Publishing’s






Sunday, August 17, 2014

When Reality and Fantasy Have a Baby...

Why is it that some of us prefer to read science fiction and fantasy over literary or modern fiction? Why are we not satisfied with the weird of the every day? Seriously, some of the real-life stories out there are pretty strange. Like the teacher who showed up drunk and took off her pants on the first day of her job. (Yeah. True story.) Or the epic shipwreck in 1997 that sent millions of Aquazone Legos (including octopuses [octopodes if you get Greek on me] and dragons) into the ocean which are now washing ashore in all sorts of crazy places. (Talk about ironic!) And what about the man who tried to impersonate superman by flying on a mattress? (Scroll down to Redneck Chronicles. Does that surprise you?)

For some of us, real-life strange isn't strange enough. Fiction escapism doesn't take us far enough away from the drudgery or misery or depression of our lives. We need space ships and wizards, hortas and fairies, stargates and unicorns to set our hearts on fire and our souls on a path of literary ecstasy.

But why?

I have theory. And it isn't bunnies. (Sorry. Had to.)

Those of us who think out of the box also need to imagine out of the box. Those of us who are seeking more out of this life than a 9-5 job, a life-mate, kids, and a mortgage want MORE out of our reading material, too. Science fiction and fantasy provide not only hyperbolic settings that ramp up the emotion, the visual impact, and the action, they also spur us to think deeply about the heart of the human condition. We question ourselves, our society, and our culture through science fiction and fantasy whereas in traditional "literature" it's not as layered. (Although it can be. Don't get me wrong. Great fiction writers *can* do it, but most modern writers don't. That's my point.)

What do you think? What's your theory as to why many of us choose sci/fi and fantasy over literary or modern fiction? I'd love to see your comments.

Revise my thinking. I'm open for opinions.

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Next main course on Revision is a Dish Best Served Cold: 
Playing the Hate Card

Also look for my articles on Walrus Publishing’s website. 

Like Ghost Stories? I’m published in Rocking Horse Publishing’s